Penelope Cruz's performance alone could warrant a repeat viewing of the film. Without having seen the films that her fellow contenders for best supporting actress acted in, it is unfair of me to say that she surely deserved the Oscar but I can say that her wild eyed, hot and hot tempered, intensely emotional portrayal of Maria Elena is one of the most arresting performances I have ever watched and one of my favorite film characters.
The film was full of Spanish guitar and giant canvases dotted, daubed and splashed with ochre, searing white and fiery red. The artwork featured in the film is that of Agusti Puig, a Catalan artist hailing from a small industrial town called Sabadell who has exhibited at galleries all over Spain, in London, New York City, Washington, D.C., France, Portugal, Japan and at esteemed international art fairs.
One of the most subtly sensuous and melancholy moments in the film takes place during a performance of Spanish guitar by Emilio de Benito.
To reign in the tempest of wanderlust and bohemian living that the film stirred up in me I have been listening to Rodrigo y Gabriela and taking paint to canvas despite not having the least idea what I am doing. Someone please make law school end so that I can flit about for a little while.
*Incidentally, Welch plays the role of the pastor in Synecdoche, NY, a film I absolutely must see again more so because I need to decide whether or not I loved it or was utterly bewildered by it. At least some of the bewilderment can be attributed to the fact that I dozed off somewhere in the middle of the film, which has far more to do with my own mild case of narcolepsy than the quality of the film.